It should normally be set to the highest setting possible before the OVERLOAD indicator flashes. CONTROLSįor adjusting the level of the signal coming into the RPQ-10. All this is done with superb sound quality, thanks to the strict selection and control procedures Boss maintains for all its products, giving you the benefits of its continuing search for sonic excellence. A built-in MIC INPUT jack makes provision for directly connecting a microphone to the RPQ-10, adding a lot of flexibility to vocal effects and for preventing howling feedback. The slide controls are all LED-equipped for instant visual confirmation of settings, even on dark stages. Compared to a graphic equalizer which mainly emphasizes tonal compensation, the RPQ-10 makes for much more impressive and dedicated sound creations. Being of the parametric type, the center frequency in each of the two bands, LOW (40Hz – 1kHz) and HIGH (600Hz – 15kHz), may be boosted or cut (up to +/-15dB) as desired, along with full Q (frequency bandwidth) control.
The RPQ-10 is a 2-band equalizer with a built in preamplifier. Boss Micro Studio Series Vol.1, 1986: A 2-band Parametric Equalizer That’s a Key Performer When Creating Sounds
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